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edward.maurath

"Caro! Bella! Più amabile belta" from "Giulio Cesare," HWV 17, (1724)

edward.maurath

8:58	Est. Play Time
62	Measures
	1,053Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	28	4	6	97%
	21	31	5	7	97%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	28	4	6	97%
	21	31	5	7	97%
Violoncello Continuo	19	0	3	7	97%
Cleopatra	15	0	3	7	80%
Cesare	13	0	4	7	74%
Violini 1	21	0	2	6	63%
Oboe 1	21	0	2	5	59%
Violini 2	20	0	1	6	57%
Oboe 2	20	0	1	5	53%
Violoncelli Contnuo	15	0	1	6	48%
Contrabassi Continuo	15	0	1	6	46%
Fagotto Continuo	13	0	0	5	38%

HWV17a2n16y1724: Cleopatra, "Venere belle" in A Major

edward.maurath

11:30	Est. Play Time
123	Measures
	1,072Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	31	5	5	62%
	26	50	8	5	90%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	31	5	5	62%
	26	50	8	5	90%
Harp	17	18	3	5	45%
	25	61	8	5	90%
Continuo	20	0	5	5	90%
Violino solo	22	0	6	6	85%
Cleopatra	16	0	5	5	67%
Violini	17	0	1	5	38%
Celli	12	0	0	5	35%
Kontrebaß	12	0	0	5	35%

"Presti omai l'Egizia terra" From HWV 17

edward.maurath

2:46	Est. Play Time
54	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	16	10	2	4	100%
	17	10	2	4	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	16	10	2	4	100%
	17	10	2	4	100%
Cello Continuo	17	0	2	4	100%
Contrabasses	17	0	2	4	100%
Violoncellos Continuo	17	0	2	4	100%
Violins 1	18	0	1	5	98%
Violins 2	19	0	2	5	98%
Violas	13	0	1	4	81%
Cesare	13	0	2	7	74%

"Sento brillar" from "Il Pastor Fido," HWV 8, last season

edward.maurath

5:48	Est. Play Time
104	Measures
	2,734Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	68	8	10	99%
	24	50	5	5	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	68	8	10	99%
	24	50	5	5	100%
Violoncello	19	0	3	5	100%
Contrabassi (Continuo)	17	0	3	3	97%
Violas	18	0	4	4	97%
Violins 1	20	0	4	4	97%
Violins 2	22	0	5	4	97%
Violoncelli (Continuo)	18	0	3	3	97%
Soprano as Mirtillo	18	0	6	10	75%
Bassoon (Continuo)	13	0	1	3	31%
Bassoon with violas	11	0	1	3	31%
Oboe	16	0	1	4	31%

"Then free from sorrow" from "Samson," HWV 57, (1741)

edward.maurath

3:09	Est. Play Time
63	Measures
	1,039Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	53	4	4	89%
	18	15	1	4	90%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	53	4	4	89%
	18	15	1	4	90%
Harp Continuo	17	53	4	4	89%
	18	15	1	4	90%
Violoncello Continuo	17	0	1	4	90%
Violini 1	16	0	2	7	67%
Violini 2	17	0	3	8	67%
Contrabassi Continuo	15	0	1	4	59%
Violoncelli Continuo	15	0	1	4	59%
Philistine woman	14	0	3	5	56%

"Perchè viva" from HWV 5, "Rodrigo" (1707)

edward.maurath

3:36	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	20	65	8	6	100%
	22	32	6	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	20	65	8	6	100%
	22	32	6	6	100%
Violoncello (Continuo)	22	0	6	6	100%
Esilena	17	0	7	7	73%
Contrabassi (Continuo)	15	0	1	4	18%
Violins 1	15	0	2	8	18%
Violins 2	14	0	2	6	18%
Violas	10	0	1	6	15%
Violoncelli (Continuo)	16	0	1	4	15%

Sinfonia in G Major

edward.maurath

3:04	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	0	1	4	91%
	15	0	1	4	91%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	0	1	4	91%
	15	0	1	4	91%
Fagotto	17	4	1	4	91%
Oboe 1	13	0	1	4	91%
Oboe 2	11	0	1	5	91%
Viole	11	0	0	4	91%
Violini 1	13	0	1	4	91%
Violini 2	16	0	1	4	91%
Violoncello Continuo	15	0	1	4	91%
Contrabassi Continuo	15	0	1	4	83%
Violoncelli Continuo	15	0	1	4	83%
Corni G	11	18	0	5	67%
Corni D	11	15	1	5	35%

"Sol dal brando," from "Rinaldo," HWV 7

edward.maurath

2:43	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	43	7	6	100%
	23	31	5	6	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	43	7	6	100%
	23	31	5	6	100%
Violoncello (Continuo)	19	0	4	5	100%
Alto as Goffredo	16	0	5	7	77%
Contrabasses	16	0	1	4	77%
Violini	16	0	1	4	77%
Violoncellos	16	0	1	3	77%

HWV56N37 - The Lord gave the word

edward.maurath

1:32	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	15	39	1	4	92%
	9	19	0	4	92%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	15	39	1	4	92%
	9	19	0	4	92%
Cello	12	0	0	4	92%
Violone	12	0	0	4	92%
Viola	10	0	0	5	88%
Vln I	16	0	1	7	88%
Vln II	16	0	1	5	88%
Bassi	11	0	0	6	84%
Tenori	10	0	1	6	84%
Alti	8	0	0	6	80%
Soprani	10	0	1	6	80%

HWV56N45 - I know that my Redeemer liveth

edward.maurath

7:27	Est. Play Time
164	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	17	69	1	5	98%
	14	35	2	7	98%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	17	69	1	5	98%
	14	35	2	7	98%
Cello Continuo	17	0	2	7	98%
Violini	21	0	4	8	74%
Soprano	12	0	2	9	66%
Contrabass	16	0	1	7	66%
Violoncellos	16	0	1	7	66%

"S'armi a miei danni" from "Giulio Cesare in Egitto," HWV 17, 1725

edward.maurath

9:11	Est. Play Time
109	Measures
	1,118Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	26	50	9	8	74%
	24	6	4	4	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	26	50	9	8	74%
	24	6	4	4	99%
Continuo	21	0	3	4	99%
Sesto	16	0	6	7	68%
Violin	19	0	2	8	62%
	17	0	2	6	62%
Celli	18	0	1	4	61%
Kontrebaß	16	0	1	4	61%
Viola	12	0	1	4	49%

Lament not thus, O Queen, in vain, from HWV 61, (1744)

edward.maurath

4:49	Est. Play Time
56	Measures
	1,157Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	20	57	4	6	91%
	25	104	5	6	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	20	57	4	6	91%
	25	104	5	6	100%
Violoncello Continuo	21	0	4	5	98%
Daniel	12	1	3	5	84%
Double Bassi	16	0	1	5	41%
Violin	16	2	2	6	41%
Violoncelli	16	0	1	5	41%

"Nel tuo seno" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

2:34	Est. Play Time
27	Measures
	1,274Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	12	2	6	96%
	17	9	1	5	96%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	12	2	6	96%
	17	9	1	5	96%
Harp Contnuo	21	42	3	6	96%
	18	14	2	5	96%
Contrabassi Continuo	14	0	1	5	96%
Violini 1	19	0	2	6	96%
Violini 2	19	0	2	6	96%
Violoncelli Continuo	15	0	1	5	96%
Violoncello Continuo	15	0	1	5	96%
Cornelia Contralto	10	0	2	5	78%

"La speranza all alma mia gride e dice" from HWV 17 "Giulio Cesare in Egitto"

edward.maurath

7:29	Est. Play Time
121	Measures
	1,405Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	14	50	3	6	98%
	19	37	2	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	14	50	3	6	98%
	19	37	2	7	100%
Violoncello Continuo	15	0	2	4	100%
Cleopatra	12	0	3	7	68%
Contrabassi Continuo	11	0	1	4	39%
Violini	17	0	1	4	39%
Violoncelli Continuo	12	0	1	4	39%